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<channel>
	<title>Paloma Schnitzer</title>
	<link>https://palomaschnitzer.com</link>
	<description>Paloma Schnitzer</description>
	<pubDate>Wed, 04 Jun 2025 17:24:10 +0000</pubDate>
	<generator>https://palomaschnitzer.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Paloma Schnitzer</title>
				
		<link>https://palomaschnitzer.com/Paloma-Schnitzer</link>

		<pubDate>Sun, 10 Jun 2018 18:10:30 +0000</pubDate>

		<dc:creator>Paloma Schnitzer</dc:creator>

		<guid isPermaLink="true">https://palomaschnitzer.com/Paloma-Schnitzer</guid>

		<description></description>
		
	</item>
		
		
	<item>
		<title>Memorias</title>
				
		<link>https://palomaschnitzer.com/Memorias</link>

		<pubDate>Mon, 19 Feb 2024 13:26:11 +0000</pubDate>

		<dc:creator>Paloma Schnitzer</dc:creator>

		<guid isPermaLink="true">https://palomaschnitzer.com/Memorias</guid>

		<description>
[Memorias]&#38;nbsp;is an audiovisual self-portrait that revolves around the question of how to narrate one's own history. 






Based on sound recordings of dreams and personal archive footage collected over the years, the story moves with the rhythm of confused memories and the pulse of someone who seems to speak as she thinks.





With the gesture of erasing, replacing, and recovering remembrances, mixtures of textures reveal the pass of time and recurring topics inform about certain obsessions.


Like a disoriented detective, the protagonist embarks on the journey of examining the images of her own life through the lens of dreams which, in their repetition and silences, infuse them with new erratic meanings.























(In post-production)









&#60;img width="3558" height="1946" width_o="3558" height_o="1946" data-src="https://freight.cargo.site/t/original/i/aa637b4a10c1cbc0ee5714e612b2b7e06211ea458883d4f54770166887f32128/6.png" data-mid="204966957" border="0"  src="https://freight.cargo.site/w/1000/i/aa637b4a10c1cbc0ee5714e612b2b7e06211ea458883d4f54770166887f32128/6.png" /&#62;
&#60;img width="3584" height="2240" width_o="3584" height_o="2240" data-src="https://freight.cargo.site/t/original/i/3d5c030db657e78d3483e250808ebe71b4451e6452752e8cc705292119303fa4/4.png" data-mid="204966955" border="0"  src="https://freight.cargo.site/w/1000/i/3d5c030db657e78d3483e250808ebe71b4451e6452752e8cc705292119303fa4/4.png" /&#62;
&#60;img width="3584" height="2240" width_o="3584" height_o="2240" data-src="https://freight.cargo.site/t/original/i/381a97a5cb283fc944be0862cb85686317d2d31c6ba46b4dc5e56a65b3a02c7a/2.png" data-mid="204966953" border="0"  src="https://freight.cargo.site/w/1000/i/381a97a5cb283fc944be0862cb85686317d2d31c6ba46b4dc5e56a65b3a02c7a/2.png" /&#62;

Memorias, video stills.&#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>surplus</title>
				
		<link>https://palomaschnitzer.com/surplus</link>

		<pubDate>Wed, 04 Jun 2025 17:24:10 +0000</pubDate>

		<dc:creator>Paloma Schnitzer</dc:creator>

		<guid isPermaLink="true">https://palomaschnitzer.com/surplus</guid>

		<description>
[”Surplus”]&#38;nbsp;is an essay film that reflects on how inherited visual and narrative codes shape our&#38;nbsp;perception of contemporary violence and real-time transmissions.&#38;nbsp; 



 By moving the gaze towards the background, bodies without given names and gestures without apparent weight speak with the text to interrogate how the language of spectacle shapes the way we see, and how it organizes the narrative into a structure that leaves the audience trapped within a conflict-driven scenario.


&#60;img width="3584" height="2240" width_o="3584" height_o="2240" data-src="https://freight.cargo.site/t/original/i/3ff9f24af8e6d4b84fef999677f4105c770dbe8903ec0df93b7c649ff5aedeab/on-Conflict.png" data-mid="235101455" border="0"  src="https://freight.cargo.site/w/1000/i/3ff9f24af8e6d4b84fef999677f4105c770dbe8903ec0df93b7c649ff5aedeab/on-Conflict.png" /&#62;
14 min - Color - DCP - 2026
































</description>
		
	</item>
		
		
	<item>
		<title>To Twist The Course Of Signs</title>
				
		<link>https://palomaschnitzer.com/To-Twist-The-Course-Of-Signs</link>

		<pubDate>Mon, 19 Feb 2024 11:06:14 +0000</pubDate>

		<dc:creator>Paloma Schnitzer</dc:creator>

		<guid isPermaLink="true">https://palomaschnitzer.com/To-Twist-The-Course-Of-Signs</guid>

		<description>
[To Twist the Course of Signs] 
interweaves archival images, surveillance footage, and language into a layered system, an oracle awaiting contact. 


&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/5ca5f7c7a0414b6d9bc953511a4206dbe835a86d913db6e7c25804540a4a14e4/12d45029-0dbb-4d67-bf2d-0b964430a084.jpg" data-mid="236995044" border="0"  src="https://freight.cargo.site/w/1000/i/5ca5f7c7a0414b6d9bc953511a4206dbe835a86d913db6e7c25804540a4a14e4/12d45029-0dbb-4d67-bf2d-0b964430a084.jpg" /&#62;


While a spinning sphere turns, gestures of control and transmission ripple outward, connecting ancient symbols with machines, and satellites with vapor. 



&#38;nbsp;
Repetition and circular motion translate into the casting of a spell, to twist the existing course of the flow of information, becoming the key to a secret code.



&#60;img width="2498" height="598" width_o="2498" height_o="598" data-src="https://freight.cargo.site/t/original/i/d6951118f155f9023b8187938572b6b2a33b5ffd0cd746229e6c6f4fe4eb6288/TTTCOS-PalomaSchnitzer-4.png" data-mid="204958234" border="0"  src="https://freight.cargo.site/w/1000/i/d6951118f155f9023b8187938572b6b2a33b5ffd0cd746229e6c6f4fe4eb6288/TTTCOS-PalomaSchnitzer-4.png" /&#62;



&#60;img width="2484" height="600" width_o="2484" height_o="600" data-src="https://freight.cargo.site/t/original/i/124e1edffbda091996e1a019d9b99982290f260b7af94e56bc1736109e4ddd2e/TTTCOS-PalomaSchnitzer-5.png" data-mid="204958235" border="0"  src="https://freight.cargo.site/w/1000/i/124e1edffbda091996e1a019d9b99982290f260b7af94e56bc1736109e4ddd2e/TTTCOS-PalomaSchnitzer-5.png" /&#62;


&#60;img width="2478" height="564" width_o="2478" height_o="564" data-src="https://freight.cargo.site/t/original/i/c45ed286005334f1c42a525cbb6202c5a31bccb50ad6560fce854c899a3e9e31/TTTCOS-PalomaSchnitzer-6.png" data-mid="204958236" border="0"  src="https://freight.cargo.site/w/1000/i/c45ed286005334f1c42a525cbb6202c5a31bccb50ad6560fce854c899a3e9e31/TTTCOS-PalomaSchnitzer-6.png" /&#62;


&#60;img width="2506" height="618" width_o="2506" height_o="618" data-src="https://freight.cargo.site/t/original/i/e6c9eef4f60e9ccfc7f8be11070481c9e84c898f089c1d2a4bad5a4e9fa14598/TTTCOS-PalomaSchnitzer-3.png" data-mid="204958233" border="0"  src="https://freight.cargo.site/w/1000/i/e6c9eef4f60e9ccfc7f8be11070481c9e84c898f089c1d2a4bad5a4e9fa14598/TTTCOS-PalomaSchnitzer-3.png" /&#62;




3-channel video installation 


No sound - Color
20 min
2023-2025


Shown at "Autonoma Industriale", Atelier (Berlin), "Along the Archive, Against the Grain", at After the Butcher and "After Projection", at Halfsister (Berlin)</description>
		
	</item>
		
		
	<item>
		<title>Critical M</title>
				
		<link>https://palomaschnitzer.com/Critical-M</link>

		<pubDate>Mon, 19 Feb 2024 13:46:36 +0000</pubDate>

		<dc:creator>Paloma Schnitzer</dc:creator>

		<guid isPermaLink="true">https://palomaschnitzer.com/Critical-M</guid>

		<description>
[Critical M] is an audiovisual exploration of erotism, focusing on the historical role of certain bodies as objects of desire, and how these patterns continue to shape experiences in the present. Intimate testimonies unfold alongside experiments with erotic imagery to navigate the chaos of feelings.  The work centers on the tension between critically interrogating pre-structured desires and exploring ways to expand the capacity for pleasure, asking whether desire can be reclaimed from the very forces that have shaped it.
The installation takes shape as a robotic sculpture built from obsolete monitors, surfaces that once sold images, now surfacing something closer to skin. Presented as a 7-channel audio-visual installation, one testimony can be listened to privately while stories and sensations intertwine around it, each screen holding its own fragment inside the larger machine.




7-channel video installation 


Sound / LoopVariable Durations


&#60;img width="2440" height="1218" width_o="2440" height_o="1218" data-src="https://freight.cargo.site/t/original/i/0569f5458d4ce67b00f48efeccdf8f5c1308421f998510ab7e402cc74e704b0f/criticalM01.png" data-mid="250813704" border="0"  src="https://freight.cargo.site/w/1000/i/0569f5458d4ce67b00f48efeccdf8f5c1308421f998510ab7e402cc74e704b0f/criticalM01.png" /&#62;
&#60;img width="513" height="602" width_o="513" height_o="602" data-src="https://freight.cargo.site/t/original/i/0634598d7e7c1acd07350634bebd593a2676ab48f5633758cae1086b45810952/criticalM02.png" data-mid="250813705" border="0"  src="https://freight.cargo.site/w/513/i/0634598d7e7c1acd07350634bebd593a2676ab48f5633758cae1086b45810952/criticalM02.png" /&#62;
&#60;img width="1574" height="1108" width_o="1574" height_o="1108" data-src="https://freight.cargo.site/t/original/i/a9d716426423833bf4e5459b4817338faa96b4817cf1a473451f98a1a4187b09/crit-mas---Paloma-Schnitzer-14.png" data-mid="204968004" border="0"  src="https://freight.cargo.site/w/1000/i/a9d716426423833bf4e5459b4817338faa96b4817cf1a473451f98a1a4187b09/crit-mas---Paloma-Schnitzer-14.png" /&#62;
&#60;img width="1554" height="1094" width_o="1554" height_o="1094" data-src="https://freight.cargo.site/t/original/i/2c5c2c9562aa0d5ae52411bbec7396eac66b24146c05c1f97c29f8bf598c44d4/crit-mas---Paloma-Schnitzer-2.png" data-mid="204967993" border="0"  src="https://freight.cargo.site/w/1000/i/2c5c2c9562aa0d5ae52411bbec7396eac66b24146c05c1f97c29f8bf598c44d4/crit-mas---Paloma-Schnitzer-2.png" /&#62;
&#60;img width="1566" height="1110" width_o="1566" height_o="1110" data-src="https://freight.cargo.site/t/original/i/d5c51abfd5b2911c04acde764253cbc8212de95cd09385e0283c3381e98b417d/crit-mas---Paloma-Schnitzer-10.png" data-mid="204968000" border="0"  src="https://freight.cargo.site/w/1000/i/d5c51abfd5b2911c04acde764253cbc8212de95cd09385e0283c3381e98b417d/crit-mas---Paloma-Schnitzer-10.png" /&#62;
&#60;img width="1572" height="1112" width_o="1572" height_o="1112" data-src="https://freight.cargo.site/t/original/i/f68f04b31b4fff2d7d60e180300fb8329181d06376581d0ea9ff03f8e18fd9f3/crit-mas---Paloma-Schnitzer-7.png" data-mid="204967998" border="0"  src="https://freight.cargo.site/w/1000/i/f68f04b31b4fff2d7d60e180300fb8329181d06376581d0ea9ff03f8e18fd9f3/crit-mas---Paloma-Schnitzer-7.png" /&#62;
&#60;img width="1570" height="1116" width_o="1570" height_o="1116" data-src="https://freight.cargo.site/t/original/i/051240003b7fac9fa8209eeb934e7b268f96dd62b047e9d7ff96230e11203778/crit-mas---Paloma-Schnitzer-11.png" data-mid="204968001" border="0"  src="https://freight.cargo.site/w/1000/i/051240003b7fac9fa8209eeb934e7b268f96dd62b047e9d7ff96230e11203778/crit-mas---Paloma-Schnitzer-11.png" /&#62;






Critical M, installation view and video stills.&#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>Fluid Friction</title>
				
		<link>https://palomaschnitzer.com/Fluid-Friction</link>

		<pubDate>Mon, 19 Feb 2024 11:47:04 +0000</pubDate>

		<dc:creator>Paloma Schnitzer</dc:creator>

		<guid isPermaLink="true">https://palomaschnitzer.com/Fluid-Friction</guid>

		<description>
[Fluid Friction]
Presented as a sculptural book, the piece invites an intimate encounter through the layered transparencies that overlap, fold and wrap around themselves to create shifting depths of image. By turning its pages, the subtle metallic echoes and the tactility of the materials transform the act of reading an image into a sensuous exploration.

----

Prints on transparent paper, leather, screws, nuts, metal rings and hook.Book: 42cm x 30cm x 3cm&#38;nbsp;
Leash: 2m
2023


&#60;img width="2802" height="4054" width_o="2802" height_o="4054" data-src="https://freight.cargo.site/t/original/i/65dad6c956cea0a8e3982aa3b37f19dc9688db0936b91bb0c04e07487e1e773d/DSCF1305crop.jpg" data-mid="204962710" border="0"  src="https://freight.cargo.site/w/1000/i/65dad6c956cea0a8e3982aa3b37f19dc9688db0936b91bb0c04e07487e1e773d/DSCF1305crop.jpg" /&#62;&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/9a187d35aaedfba85050dc394f92c9c2cc9b90e7090ff79965d8ffb0d2aef0b9/DSCF5801.jpg" data-mid="204960351" border="0"  src="https://freight.cargo.site/w/1000/i/9a187d35aaedfba85050dc394f92c9c2cc9b90e7090ff79965d8ffb0d2aef0b9/DSCF5801.jpg" /&#62;
&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/f889a12876d0f745d1408ddb1197c7828bcc10fb4e5cffbf6561896cb4454ae3/DSCF5847.jpg" data-mid="204960352" border="0"  src="https://freight.cargo.site/w/1000/i/f889a12876d0f745d1408ddb1197c7828bcc10fb4e5cffbf6561896cb4454ae3/DSCF5847.jpg" /&#62;&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/74be8ee45fc1aede84bdcb63101aac14f7a48e73e5858f045353660dc08c0b1d/DSCF5850.jpg" data-mid="204960353" border="0"  src="https://freight.cargo.site/w/1000/i/74be8ee45fc1aede84bdcb63101aac14f7a48e73e5858f045353660dc08c0b1d/DSCF5850.jpg" /&#62;

Fluid Friction, installation view at "Too much is never enough", Scherben Galerie (Berlin).&#38;nbsp;

</description>
		
	</item>
		
		
	<item>
		<title>Broken Memory</title>
				
		<link>https://palomaschnitzer.com/Broken-Memory</link>

		<pubDate>Mon, 05 May 2025 09:10:29 +0000</pubDate>

		<dc:creator>Paloma Schnitzer</dc:creator>

		<guid isPermaLink="true">https://palomaschnitzer.com/Broken-Memory</guid>

		<description>
[Broken Memory]
 is an audiovisual interpretation of the ruins of Anhalter Bahnof, a fragment of a train station porticus located in Berlin, Germany, that sustains the remains of a history with selective memorials and stories displaced by their own shadows. Layers of absence build upon one another. If the past is so obscured, how can anything emerge from it without collapsing into the same silence?



&#60;img width="1680" height="1050" width_o="1680" height_o="1050" data-src="https://freight.cargo.site/t/original/i/965493669b9203abc44f4caa8d7f12124cb7ca1a83e488af1a5a442cc0deed92/Paloma-Schnitzer---Broken-memory---still1.png" data-mid="232794291" border="0"  src="https://freight.cargo.site/w/1000/i/965493669b9203abc44f4caa8d7f12124cb7ca1a83e488af1a5a442cc0deed92/Paloma-Schnitzer---Broken-memory---still1.png" /&#62;
Broken Memory - video still





1-channel video


Sound - Color
4:19 minJuly 2023


</description>
		
	</item>
		
		
	<item>
		<title>Humans Targeting Humans</title>
				
		<link>https://palomaschnitzer.com/Humans-Targeting-Humans</link>

		<pubDate>Mon, 19 Feb 2024 12:37:16 +0000</pubDate>

		<dc:creator>Paloma Schnitzer</dc:creator>

		<guid isPermaLink="true">https://palomaschnitzer.com/Humans-Targeting-Humans</guid>

		<description>
[Humans Targeting Humans]&#38;nbsp;




Cameras point at us to control us, images point at us to sell us something, and databases point at the images that we dump into the world to classify us into types of consumers. But if "the power" doesn't consider us good targets of consumption, those that aim at us are the sights of the guns. What happens when we are the ones targeting the devices instead of them at us?


























One channel A/V installation1 min - Loop Sound
2022


</description>
		
	</item>
		
		
	<item>
		<title>Destroying the Scene</title>
				
		<link>https://palomaschnitzer.com/Destroying-the-Scene</link>

		<pubDate>Wed, 13 Apr 2022 17:38:34 +0000</pubDate>

		<dc:creator>Paloma Schnitzer</dc:creator>

		<guid isPermaLink="true">https://palomaschnitzer.com/Destroying-the-Scene</guid>

		<description>
[Destroying the Scene]&#38;nbsp;





























Destroying the scene is a research project based on a single image taken from a surveillance camera recording. Sourced from a collection of security camera footage, this particular image, taken in an internet café in India in 2016, serves as a case to study ways to deal with bodies that are recorded in the context of control. 




How can we use such images without repeating the control mechanism of those who produce them? How can the surveilled body be brought back to the scene without being re-opressed / re-exposed?




The idea of destroying the scene emerges as a gesture of hiding the clues through a process of fragmentation and enlargement. Traces of diffusion, superimposition, breakage, and distortion appear, resulting in the following works:





[Triptych Diffuse] 
[Destroying the scene - Book] 

[I’m Hacked] 







</description>
		
	</item>
		
		
	<item>
		<title>Triptych diffuse</title>
				
		<link>https://palomaschnitzer.com/Triptych-diffuse</link>

		<pubDate>Tue, 18 May 2021 15:45:05 +0000</pubDate>

		<dc:creator>Paloma Schnitzer</dc:creator>

		<guid isPermaLink="true">https://palomaschnitzer.com/Triptych-diffuse</guid>

		<description>
[Triptych Diffuse]&#38;nbsp;is part of a research project [Destroying the Scene].






&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/2963bafc5699d64857788aaf0f53aadd655508823380b07fd1ff6d66a3f1a0d1/superpositions-02.jpg" data-mid="139589723" border="0"  src="https://freight.cargo.site/w/1000/i/2963bafc5699d64857788aaf0f53aadd655508823380b07fd1ff6d66a3f1a0d1/superpositions-02.jpg" /&#62;



Prints on acetate, screws, nuts.












29.7 x 21 cm (each)


2021



&#38;nbsp;
</description>
		
	</item>
		
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